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The online version of this bibliography covers selections from the last ten years and is divided into three sections: books and catalogues; essays, periodicals and reviews; film and video. Exhibition catalogues are arranged alphabetically by author, books and catalogues are listed by date. The full version is available on request. |
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1999 |
Hobart and William Smith Colleges Press. "Looking Forward, Looking Black," group exhibition catalogue, April 30May 24, traveled to Museum of Elaine L. Jacob Gallery, Wayne State University, Detroit, MI; Houghton House Gallery at Hobart and William Smith Colleges, Geneva, NY |
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Katonah Museum of Art, Katonah, New York. "re/righting history: counternarratives by contemporary african-american artists", group exhibition catalogue, March 14May 16 |
1998 |
San Francisco Museum of Modern Art. A PORTRAIT OF OUR TIMES: AN INTRODUCTION TO THE LOGAN COLLECTION. Foreward and acknowledgements by David A. Ross and essay by Gary Garrels |
1997 |
American Stories: Amidst Displacement and Transformation. Yukiya Kawaguchi et al, editors. Exhibition catalogue published for travelling exhibition "American Stories", Setagaya, Japan |
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SITE Santa Fe and the University of Arizona Museum of Art. ROBERT COLESCOTT: RECENT PAINTINGS. Copyright 1997 by Miriam Roberts. Essays by Quincy Troupe, Miriam Roberts, Lowery Stokes Sims |
1996 |
Sandler, Irving. ART OF THE POSTMODERN ERA (From the Late 1960s to the Early 1990s). Icon Editions, Harper Collins Publishers, New York |
1995 |
Aspen Art Museum. Contemporary Drawing: Exploring the Territory. Aspen, CO |
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Fineberg, Jonathan (University of Illinois). Art Since 1940: Strategies of Being. Prentice Hall, Inc., 1995, p 441443 |
1993 |
Westheimer, Ruth Dr. The Art of Arousal. Abbeville Press, New York, 1993. pp. 6061 |
1992 |
Bomani Gallery. Paris Connections: African-American Artists in Paris. San Francisco, CA, QED Press |
1991 |
The Aldrich Museum of Contemporary Art. The Art of Advocacy. Ridgefield, CT |
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Denver Museum. Visions and Revisions. Denver, CO |
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Momenta Art. The Reimaging of America. Philadelphia, PA |
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New Langston Arts. The Difficult Image. San Francisco, CA |
1990 |
Aforet Museum Harajuku, Japan. AMERICAN POP CULTURE TODAY III. Tokyo: Seibundo Shinkosha Publishing Company |
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College of Lake County, Community Gallery of Art. The Robert H. Derden Collection: A Black Collector's Odyssey in Contemporary Art. Lake Forest, IL: College of Lake County. Foreword by Clarence D. White, essay by Victoria Lautman. |
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Lippard, Lucy R. Mixed Blessings: New Art In A Multicultural America. Pantheon Books, New York |
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Adams, Brooks "Robert Colescott at Phyllis Kind," Art in America July 1991 |
Bonetti, David "The Ironies of Robert Colescott", San Francisco Examiner June 4, 1999 |
Cameron, Dan "47th Venice Biennale," ARTFORUM, p 11820 September 1997 |
Cotter, Holland "A Taste of Zeitgeist", The New York Times March 16, 1997 |
Danto, Arthur C. "Robert Colescott at Phyllis Kind Gallery", The Nation May 1991 |
Eauclaire, Sally "One-Two Punchinello", Art News June 1997 |
Gopnick, Adam "Black Studies", The New Yorker, p 135140 December 5, 1994 |
Host, Vivian "Great Colescott", Daily Californian, re:VIEW June 4, 1999 |
Joiner, Lottie L. "Master Strokes," Emerge June 1997 |
McKenna, Kristine. "Our Man in Venice," Los Angeles Times June 15, 1997 |
Mumford, Steve. "Robert Colescott at Phyllis Kind Gallery", Review December 15, 1996 |
Saltz, Jerry. "Merry-Go-Round," Flash Art, vol. XXX, no.196, p 847 October 1997 |
Sims, Lowery "The Mirror, The Other: The Politics of Esthetics," Artforum March 1990 |
Smith, Roberta. "Another Venice Biennale Shuffles to Life", The New York Times June 16, 1997 |
Yablonsky, Linda. "Robert Colescott", Artforum Summer 1993 |
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"ROBERT COLESCOTT: The One Two Punch", produced by Linda Freeman L&S Video, NY |
"ROBERT COLESCOTT: An American Original", tape No. 39, Video series on contemporary art, Art/New York studio |
"Pit Stop", created and written by Robert Colescott, L&S Video, NY |
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